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and an interview with Russian artist and founder of ‘psychedelic realism’ Pavel Pepperstein
it's best if you don't
when everywhere we turn there seem to lurk even more acute challenges
The distinction between them can be mobilised in the service of ratifying the state’s monopoly on violence
ghế tô nê (Thonet chair): In the Vietnamese language
Edmund de Waal – an Archive Holocaust and an interview with RussianThis is a book about archives that is itself archival, a gathering together of Edmund de Waals reflections on archives from over a decade, presented in chronological order. Yet the book is also cyclical. It begins in Odessa in 2009 and ends in Paris in 2021, encountering De Waals family archives in both places. In between are his responses to the archives of poets and artists and places he loves. In addition, it includes texts he has written for
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